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Karin Fischer, Élodie Gallet et Thierry Robin : Introduction Negotiating History and Decolonisation Heather Laird : Remembering Lost Trajectories : Reflections on Commemoration and Decolonisation on the Centenary of 1922 Christophe Gillissen : The first steps of the Irish State on the World Stage: Paris, 1919-1923 Micheal Ó Fathartaigh et Liam Weeks : A Flag of Inconvenience ? Reaction to Irish Independence in the British Empire in 1922 Olivier Coquelin : The Long Road to the Emergence of a Left-Right Divide in Ireland, 1922-2020 Nathalie Sebbane : Holocaust Education and Remembrance in Ireland : Lessons Learnt ? Bernard Cros : The 1969-1970 South African Rugby Tour of the British Isles as a Turning Point in the Politics of Confrontation and Neutrality in Ireland Marie-Violaine Louvet : The Republic of Ireland and the East Timor Question, 1975-2002 : What Score Was Played in the Concert of Nations? Projecting Irish identities in Literature and Arts Fiona McCann : Between Ireland and India : Affective Political Agencies in Cauvery Madhavan's The Tainted (2020) Mairtin Coilféir : Irish-Language Translation : A Concert of Nations ? Bertrand Cardin : "O Lord what a row" - Molly Bloom, a One-Woman Orchestra Lea Sinoimeri : Heterolingualism and Transnational Poetics in Melatu Uche Okorie's Short Fiction Helen Penet : "A story retold" : Photography and Rewriting the Past in Henrietta McKervey's What Becomes of Us Fabrice Mourlon : Branagh's Belfast : A Message to the World Geneviève Guétemme : The Inter-Linguistical Matrix of Tree / Crann Erick Falc'her-Poyroux : A Concert for the Centenary of Ireland's Partial Independence : Explorations in Arts Practice Karin Fischer, Élodie Gallet et Thierry Robin : Afterword

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