Brève description / annotation

Scenography is most often considered in the theater in its aesthetic dimension or in its capacity to become a playful space. However, in opera, while these two dimensions remain important and complex as a result of the specific constraints of singing and audience expectations, it is the dramatic function that takes center stage. The need to provide details about the set in advance so it can be built in workshops means that it must be conceived along with the staging. Using a specific example, we will show how dramaturgy, scenography, and staging work closely together to bring out the meaning. It is the voice of the scenographer that interests us here.

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