Brève description / annotation

Interstices Place in lieu of Space "A forted residence" (5.1.13): a sense of place Prison: "perpetual durance" (3.1.68) "How he misplaces" (2.1.85) Substitution(s): "The Duke's in us" (5.1.297) "Lord Angelo dukes it well" (3.1.358) "We'll borrow place of him" (5.1.363) "My place i'the state" (2.4.157) De-substituting: "Your friar is now your prince" (5.1.383) "Neither maid, widow, nor wife?" (5.1.177-178) "She may be a punk" (5.1.179) "An eminent body" (4.4.20) Patriarchy, chastity and marriage "Gigglets" (5.1.348): a misogynistic and misogamous play "Die for ever" (2.4.109): Living as Dying "'Twas never merry world" (3.1.274): vanity The final replacement Death-in-life "I crave death": desire on trial Dying as duration and anticipation: "The sense of death is most in apprehension" (3.1.79) "Nothing of what is writ" (4.2.199): Silenced texts "We shall write to you" (1.1.56): prescriptions "Look, here's the warrant" (4.2.60): performative writing From "letters of strange tenor" (4.2.197) to "scrap[ing] commandments" (1.2.8) "Not a resemblance, but a certainty" (4.2.185): knowing and leaps of faith "I will go further than I meant" (4.2.187-88): Slipperiness of meaning(s) "Lists" and "scopes" "Precise" or "precisian"? "To speak so indirectly" (4.6.1) Aposiopesis: silence and "the vile conclusion" (5.1.96) Tautology and chiasmus Authorising and Authoring Unfolding(s) "A motion (un)generative" (3.1.173) Incomplete undressing Conclusion: "There's more behind"

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